Revision notes.

Try this with Music

1. Close your notes and write the main idea in two sentences from memory.
2. Reopen the source and correct the first mistake or omission you find.
3. Add one example and one question to test whether you can apply the idea.

View Music resources on ATARMAXXING ↗

Topics in the resource inventory

• Interval recognition by ear: major, minor, perfect and tritone within an octave
• Hearing tonality, scales/modes and modulation to the relative, dominant or subdominant key
• Rhythmic dictation: simple, compound and irregular metre, grouping, rests and time signatures
• Melodic dictation up to eight bars in a major or minor key, including rubato and vibrato
• Chord progressions by ear (I, ii, iii, IV, V, V7, vi) and chord-quality recognition
• Discrepancies and aural analysis: instruments, techniques, texture, form, dynamics and articulation
• Clefs, key signatures to seven sharps and flats, and writing scales and modes
• Intervals up to a ninth: quality, size, enharmonic spelling and visual identification
• Chords and chord symbols: triads to ninth chords, m7(b5), inversions, Roman numerals, TAB and guitar chords
• Transposition between clefs and for B flat, E flat, F and A instruments
• Visual analysis: forms, signs and symbols, compositional devices and expressive markings
• Reading unseen scores: orchestral, PVG, lead sheet, drum notation and instrumental techniques
• Sonata form, key relationships and structural analysis of an unseen work
• Identifying style across Contemporary, Jazz and Western Art Music, linking unseen excerpts to designated works
• Marryuna (Baker Boy): cultural identity, Yolngu language, yidaki and hip hop
• Young, Gifted and Black (Nina Simone): sociopolitical identity, gospel heritage and harmony
• Gaelic Symphony, first movement (Amy Beach): Irish-American identity within sonata form
• Bohemian Rhapsody (Queen): through-composed form, harmony and studio technology
• Tha Thin Tha (Lisa Young): konnakol, tala and modern jazz innovation
• Short Ride in a Fast Machine (John Adams): minimalism, pulse, polyrhythm and quartal harmony