Flashcards and recall.

Try this with Visual Arts

1. Write one prompt per card. Use definitions, explanations or examples from your current topic.
2. Answer aloud before turning the card. Split a card if it asks for several unrelated facts.
3. Set aside missed cards and revisit them in a later session.

View Visual Arts resources on ATARMAXXING ↗

Recall topics

• Practice (Visual Arts Stage 6 definition)
• The three kinds of practice examined in the HSC course
• 'Agency', as used in the syllabus account of practice
• What does it mean that practice is 'intentional, informed human activity'?
• Inculcation, in the syllabus description of practice
• How do social structures affect practice?
• Why does the syllabus call conceptions of practice 'fluid'?
• Two forces that continuously transform the field of visual arts and design
• 'Re-emergence of traditional conventions' — what it means for practice
• Artmaking practice (definition)
• What the phrase 'network of procedures' adds to the idea of practice
• Materials, in artmaking practice
• Processes, in artmaking practice
• Techniques, in artmaking practice
• Difference between a process and a technique
• Style, in artmaking practice
• Qualities, in artmaking practice
• Representation (definition in Visual Arts)
• Subject matter (definition)
• Form (in the pairing 'subject matter and form')
• How do you keep subject matter and form distinct in an answer?
• Conceptual strength
• Resolution (of an artwork)
• Meaning, as the syllabus treats it in practice
• Art criticism (definition as a practice)
• Art history (definition as a practice)
• Sharpest difference between art criticism and art history in exam writing
• Critical narrative
• 'Significant histories' — why the plural matters
• What does it mean that criticism 'speculates' about meaning?
• The four procedures typically used in art criticism
• Description, as a critical procedure
• Analysis, as a critical procedure
• Interpretation, as a critical procedure
• Judgement (evaluation), as a critical procedure
• Connoisseurship
• Iconography, as an art-historical procedure
• Primary source in art history
• Secondary source in art history
• Provenance